There, without even taking off my hat, I threw myself at the piano. I saw that there was no remedy, I took leave and ran home. I stood up disgruntled with myself I stayed a little longer in the Valerio house, but always with those verses before the eyes of the mind. I placed myself at the harpsichord, with the verses of Goffredo on the lectern, and I strummed, murdered the poor instrument with convulsive fingers, always with eyes at the hymn, putting down melodic phrases, one above the other, but a thousand miles from the idea that they could adapt to those words. Thus Anton Giulio Barrili, patriot and poet, remembered in April 1875, during a commemoration of Mameli, the words of Novaro on the birth of the music of "Il Canto degli Italiani": ġ915: cover of an album of patriotic music: the personification of Italy, wearing the helmet of Scipio and waving the flag of Italy, driving the Bersaglieri gathered around it Novaro was immediately conquered and, on 24 November 1847, he decided to set it to music. Īfter having discarded the idea of adapting it to existing music, 10 November 1847 Goffredo Mameli sent the text of the hymn to Turin to set it to music by the Genoese composer Michele Novaro, who was in the house at that time of the patriot Lorenzo Valerio. On the precise date of the drafting of the text, the sources differ: according to some scholars, the hymn was written by Mameli on 10 September 1847, while according to others the date of birth of the composition was two days before, 8 September. The text of "Il Canto degli Italiani" was written by the Genoese Goffredo Mameli, then a young student and a fervent patriot, in a historical context characterized by that widespread patriotism that already heralded the revolutions of 1848 and the First Italian War of Independence (1848-1849). Holographic draft of 1847 by Goffredo Mameli of the first strophe and the refrain of "Il Canto degli Italiani" Over the decades there were several unsuccessful attempts to make it the official national anthem, until it finally gained de jure status on 4 December 2017. "Fratelli d'Italia", of clear republican and Jacobin connotation, was difficult to reconcile with the outcome of the unification of Italy, a monarchy.Īfter the Second World War, Italy became a republic, and "Il Canto degli Italiani" was chosen, on 12 October 1946, as a provisional national anthem, a role that it later preserved while remaining the de facto anthem of the Italian Republic. The song was very popular during the unification of Italy and in the following decades, although after the proclamation of the Kingdom of Italy (1861) the " Marcia Reale" (Royal March), the official hymn of the House of Savoy composed in 1831 by order of King Charles Albert of Sardinia, was chosen as the anthem of the Kingdom of Italy. The sixth group of verses, which is almost never performed, recalls the text of the first strophe. The piece, in a time signature of 4/4 and the key of B-flat major, consists of six strophes, and a refrain sung at the end of each strophe. It is best known among Italians as the " Inno di Mameli" (, "Mameli's Hymn"), after the author of the lyrics, or " Fratelli d'Italia" (, "Brothers of Italy"), from its opening line. " Il Canto degli Italiani" ( Italian pronunciation: "The Song of the Italians") is a canto written by Goffredo Mameli set to music by Michele Novaro in 1847, and is the current national anthem of Italy.
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